Ebola: one covert op feeds into another
by Jon Rappoport
September 27, 2014
Reference: my collection, The Matrix Revealed.
Some covert ops start out by focusing on an area of conflict.
The first action-step is: repackaging and renaming and relabeling that area so it looks like something it is not.
When that is done, the group in charge of the op has a false reality, a synthetic reality which they can manage, describe, work with, publicize, deploy, reshape, add to, subtract from.
In the case of West Africa, this synthetic reality is “Ebola.”
In my previous article, I listed the real factors which have been debilitating and killing people in that area for a very long time. These factors have nothing to do with a virus called “Ebola.”
But the op is transformative. It shifts the focus. It paints a different picture. It makes a substitution.
Instead of severe malnutrition, protein-calorie deficit, starvation, contaminated water, horrific wars, grinding poverty, hopelessness, stolen farm land, industrial pollution, the invasion of outside investors and corporations who take over the natural riches of the area, toxic vaccine campaigns, toxic drugs (including vast overuse of antibiotics, which destroys the ability to absorb nutrients)—instead of these chronic conditions, we have a repackaged and re-formed and recreated reality: the virus. Ebola.
The stage magician’s trick. The illusion.
He takes a deck of cards and throws the deck at a wall. The cards fly every which way—chaos, confusion, many things happening all at once. And then, all of a sudden, the cards are lying on the floor, but one card is up against the wall, impaled there by a knife.
The audience gasps.
And on the one card is written the word: Ebola.
Everyone is frozen.
The magician says, “Let me tell you about Ebola. There are many things you need to know. For the moment, we are safe, but we are threatened.”
He has the audience’s attention. Does he ever.
Now he tells a story, a long story, and it ends with the word: “Vaccine.”
The audience experiences a jump-shift. They don’t know it, but they’re being taken into a much larger op—whose subject is “all possible vaccines for everyone from cradle to grave.”
Well, they have certainly heard about vaccines, and most of them have gotten vaccines. They feel they’re on familiar ground.
From “vaccines” he moves to “immunity.”
How wonderful. How magical. With vaccines, doctors can impart protection.
The illusionist is really working his audience now. He’s at the top of his game.
“Vaccines, you see, stimulate the body to produce antibodies, which are marvelous creatures who can move through the whole body and search out invaders…and when they find these intruders, these stalkers, these terrorists, the antibodies paint large Xs on them.”
“And then the rest of the immune system, the infantry and the air force and navy, know exactly where the enemy is located. They will now launch a multi-front attack, and win.”
The magician describes how vaccines do all this in advance of any actual terrorist invasion, so that when the real monster comes along, the body will be prepared, its immune system already in a state of readiness and high alert.
The magician neglects to mention that the action of vaccines—producing antibodies—does not equal immunity.